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 Dick's Picks 30 (and Beer)

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    Dick's Picks 30 (and Beer)

Grateful Dead
Academy of Music, New York City, March 25 and 28, 1972

CD 1 (from March 25): Hey Bo Diddley**>I'm A Man**>I've Seen Them All**>Jam**; Mona**; How Sweet It Is; Are You Lonely For Me; Smokestack Lightning; Playing In The Band (from 3/27/72) (** denotes with Bo Diddley)

CD 2 (March 28, complete show from here onward): Truckin'; Tennessee Jed ; Chinatown Shuffle; Black-Throated Wind; You Win Again ; Mr. Charlie; Mexicali Blues; Brokedown Palace; Next Time You See Me; Cumberland Blues;

CD 3: Looks Like Rain; Big Railroad Blues; El Paso; China Cat Sunflower>I Know You Rider; Casey Jones; Playing In The Band; Sugaree; Two Souls In Communion

CD 4: Sugar Magnolia> The Other One; Hurts Me Too; Not Fade Away>Goin' Down The Road Feeling Bad>Not Fade Away; encore: Sidewalks Of New York; One More Saturday Night

Available October 30


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diamma - Sep 24, 2003 12:31 pm (#2231 Total: 9186)  

"If you want professionalism, you'll have to kick in an extra buck." J. Garcia, 10-21-71  

QUESTION and ANSWER DEPARTMENT

Questions: What criteria is used to determine what shows are selected for release in the Dick's Picks series?

Answer: The selection criteria is a rather detailed process that takes a number of factors into consideration. The first and most important element we examine is excellence of performance. This, above all else, is what gets a show considered for release in the series. The performance quality criteria is both an objective process, as much as that's possible in working with art, as well as a subjective one, in that the opinions of many knowledgeable Dead Heads are taken into account for each Pick. After performance quality, we examine such aspects of a tape as sound quality and, equally important, sound mix, to make sure all members of the band are well-represented in the mix. After this come such variables as rarity of the tape, unique song selections and other such items of interesting historical significance. Ultimately, we try to present as good an historical representation of the Grateful Dead's recorded past as is possible by selecting the best shows that represent all eras of Grateful Dead music. In regards to how a certain era is selected for any given Pick, we look at what has been released under any series title (Dick's Picks, Vault Release, View from the Vault DVD, etc) in the past while and select based on what is appropriate for that time. For instance, in the past year or so we have had a release from 1978, 1969, 1992, 1973, 1977, 1987 and 1980, so that leaves several areas for which to research the next Dick's Pick.

David Lemieux
Audiovisual Archivist
Grateful Dead Productions

Colin Lazzaro-Smith - Sep 24, 2003 12:52 pm (#2232 Total: 9186)  

 

There are definitely cool things that only 71 has.

JDD - Sep 24, 2003 12:58 pm (#2233 Total: 9186)  

I'm a monkey and a flower, I'm everything at once  

plenty of jamming in Fall '71. one of their finest tours, imo. we need a complete show from that run. many from which to choose

Colin Lazzaro-Smith - Sep 24, 2003 1:01 pm (#2234 Total: 9186)  

 

I guess I haven't heard enough Fall to make a judgement.

SP - Sep 24, 2003 1:13 pm (#2235 Total: 9186)  

 

There's not as much 'pure' freeform jamming during 4/71, but hoo boy, the TOO on Grateful Dead (Live), the NFA>GDTRFB>NFA from that album, the vamp behind Good Lovin' on LAGTGD, and the Alligator>GDTRFB>Cold Rain & Snow sequence are stunners. All priceless.

Doo Dah Man_ - Sep 24, 2003 1:24 pm (#2236 Total: 9186)  

NEVER UNDERESTIMATE THE POWER OF LIVE DEAD!! #2173  

For instance, in the past year or so we have had a release from 1978, 1969, 1992, 1973, 1977, 1987 and 1980, so that leaves several areas for which to research the next Dick's Pick.

Hmmmmmmmmmmmmmmmmm...

sleeby - Sep 24, 2003 2:16 pm (#2237 Total: 9186)  

 

I read that this morning and interpreted it as <= 1972. I hope I'm right. :-)

Ziggy - Sep 24, 2003 2:17 pm (#2238 Total: 9186)  

I've only collected AUDS, honest.  

there are also years that are not noted there where no research is required

JDD - Sep 24, 2003 2:19 pm (#2239 Total: 9186)  

I'm a monkey and a flower, I'm everything at once  

I hope you're right, cause I read that as "80s and 90s"

John G - Sep 24, 2003 2:31 pm (#2240 Total: 9186)  

Take a vacation, fall out for awhile...  

1971

It's time has come!!

7/31/71
8/26/71
10/21/71
11/7/71
11/15/71
Boston Music Hall 12/1-12/2/71
12/5/71
Ann Arbor 12/14 & 12/15/71

bbender - Sep 24, 2003 3:01 pm (#2241 Total: 9186)  

 

Ahem. Excuse me. Mr. Lemieux?

It is time for another pick, please.

Any two or three of those 71's would work nicely, thank you.

We are not picky. OK, most of us are. But you knew that.

Thank you again. Please excuse the interruption.

Top Shelf - Sep 24, 2003 4:10 pm (#2242 Total: 9186)  

 

Seventh Son of Harding Black Licorice Town Crier

re: plenty of jamming in Fall '71. one of their finest tours, imo. we need a complete show from that run. many from which to choose

Yes, indeed. Roll out the Harding `71 with the great Dark Star and the TOO>MAMU>TOO sequence that has the slipperiest shift you ever heard.

Marcus T - Sep 24, 2003 4:26 pm (#2243 Total: 9186)  

set the gearshift for the high gear of your soul  

More '73 please.

PG - Sep 24, 2003 4:31 pm (#2244 Total: 9186)  

Fear is a dangerous thing, it'll turn your heart black you can trust  

Hiya Bert!

tommy banjo - Sep 25, 2003 4:54 am (#2245 Total: 9186)  

All things must pass...all things must pass away.  

8/26/71

Hey Bert! Where you been?



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